My practice is conceptually orientated and represents an audio-visual flow that processes a self, created in the film through symbolic representations. grounded in understanding the dialectical relationship between social existence and cultural practice.

It is a poetic cinema of self-expression that seeks allegorical status in its attempt to articulate the past while using montage and sound as a sense of tropology. My filmmaking is an experience as well as a system of communication that utilizes multiple perspectives to situate the viewer in a familiar position of relating to the world. The image is neither objective nor subjective but a process of transformation creating cinematic meaning while the sound is empathetic, driving the story forward. This constitutes a hybrid form of filmmaking with cognitive effect mediating between elements of documentary, fiction, and experimental genres.